A Brief History Of Media Hoaxes And A Reminder That "Fake News" Is Nothing New

A Brief History Of Media Hoaxes And A Reminder That "Fake News" Is Nothing New Michael Levine CommPRO

In an era where "fake news" has become a buzzword, it's important to remember that the issue of sensationalized or downright fabricated stories in the media is far from a recent phenomenon. Throughout history, media hoaxes have captivated audiences, stirred emotions, and even influenced public perception. From lunar life to phantom football teams, the tales spun by the media and the public's susceptibility to such stories reveal a complex relationship that dates back centuries.

One of the earliest instances of media hoaxing in America occurred in 1835 when the New York Sun published articles claiming the esteemed astronomer Sir John Herschel had made groundbreaking discoveries on the Moon. According to the reports, Herschel encountered fantastical creatures like goat-like unicorns, bison-like beings, and even human-bat hybrids during his celestial observations. The mesmerizing accounts held readers in awe until it was unveiled that the journal from which these accounts originated had ceased publication years before. This revelation shattered the illusion and revealed a tale fabricated to captivate and amaze. This historical example reminds us that the media's pursuit of captivating narratives, even based on falsehoods, is not new.

Jumping forward to 1941, a sports-related hoax graced the pages of the New York Times, reminding us that even reputable institutions can fall victim to trickery. Readers were treated to stories about the undefeated football team of Plainfield Teachers College, a school that, it turned out, did not even exist. A Wall Street broker, the prankster behind this hoax, suspected that the Times' fact-checking practices were lax, leading him to concoct fictional scores and submit them. Time magazine eventually exposed the fraud, unraveling plans for Plainfield to partake in the fictitious Blackboard Bowl in Atlantic City. This episode underscores the importance of journalistic integrity and thorough fact-checking in maintaining the public's trust.

As technology advanced, so did the methods of perpetrating hoaxes. In 1994, the internet provided a new platform for disseminating misinformation. A fabricated Associated Press story circulated, alleging that Microsoft had submitted a bid to purchase the Catholic Church. Both Microsoft and the AP swiftly issued denials in response to the outcry. This episode highlights the need for skepticism and critical thinking, especially in the face of sensational headlines that can spread like wildfire online.

However, not all media hoaxes are lighthearted pranks. In 2009, a Colorado couple garnered widespread attention when they claimed their young son had floated away in a homemade weather balloon. The media immediately seized upon the story, leading to a massive response, including the dispatch of National Guard helicopters. In truth, the incident was nothing more than a publicity stunt concocted by the boy's parents, who were seeking fame through a reality TV show appearance. The "Balloon Boy" episode is a stark reminder that media hoaxes can have serious consequences, diverting valuable resources and perpetuating unwarranted fear.

In each of these instances, whether born of whimsy, curiosity, or malicious intent, media hoaxes reveal the complex interplay between the storytellers and their audiences. They underscore the human penchant for being captivated by the extraordinary and the unfamiliar, often at the expense of critical analysis. As we confront the contemporary challenges posed by "fake news," let us draw lessons from history and remember that the struggle to discern fact from fiction is timeless. The media's responsibility to provide accurate and reliable information remains as crucial today as in 1835, 1941, or any other moment in our storied past. After all, it's all fun and games until the choppers are sent in.

Michael Levine

Michael Levine is an American writer and public relations expert. He is the author of books on public relations including Guerrilla P.R. He has represented 58 Academy Award winners, 34 Grammy Award winners, and 43 New York Times best-sellers.

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